Showing posts with label Balraj Sahni. Show all posts
Showing posts with label Balraj Sahni. Show all posts

Tuesday, April 1, 2014

Last Showdown | When Actors Just Completed The Movie | Under Lens

Heath Ledger - The Dark Knight: Much fabled last performance as maniacal Joker and stories which followed to release of The Dark Knight, rarely an actor literally overshadowed the lead actor by his real life absence. Bruce Wayne saw the real world. Images are revered. Heath Ledger whose claim to fame before Joker came along was his role in eternally romantic Brokeback Mountain. When Joker came by, he was a difficult choice for many film buffs but Heath was able to play that character even better than any predecessor with his determination and reclusiveness. As drug overdose news came by, people were not surprised. Such was Joker’s impression.
 
Balraj Sahni – Garam Hava: Traumatized by his own daughter’s death, one of the finest actors of Hindi Cinema played an intense role of a Muslim trader who is not ready to go to Pakistan. For him, India remains land of dreams and aspirations. Place he calls country. That must be a poignant moment when he played the scene where his on-screen daughter dies as well. Balraj Sahni’s Salim Mirza is one of Indian Cinema’s iconic character who embodies the torment of millions who suffered the birth of nation by means of partition and were forced to keep a strong face. In an alternate world, they too would have cried profusely in the darkest and remotest corner of house.
 
Spencer Tracy – Guess Who’s Coming To Dinner: Known for a likeable personality exuding drama and bravado without gruesomeness, Spencer Tracy, in last leg of his career, chose films which had an everlasting impact on the social dynamics. Guess Who’s Coming To Dinner was one such film. As Matt Drayton he highlights the dilemma of a father who is at crossroads of his own teachings. As an open-minded person he always asked his daughter to treat people as equals irrespective of race and creed. But he never imagined that his daughter can fall in love with someone who is not white. Tracy and Hepburn strongly believed in the civil rights and despite of Tracy’s failing health, they fought his illness and completed the film.
 
 
 
 
 

Tuesday, April 16, 2013

Do Bigha Zamin | 100 Years Of Indian Cinema | Under Lens

Bimal Roy was known for his realistic cinema with heavy dose of rich literature. Over the years, he inspired filmmakers across the globe. Do Bigha Zamin is considered to be one of his best work. While cynics blame Roy for glamorizing poverty, critics believe that Do Bigha Zamin was perhaps the most iconic offshoot of neo-realist cinema and emblem of Indian Parallel Cinema. Known for its socialist theme, this film etches real India on reel.
 
Do Bigha Zamin is story of Shambhu and his family. He is a classic example of collateral damage of Industrial revolution in this country. His land is mortgaged and the Zamindar forges the documents to increase the amount of debt. To pay the debt and gain his own land, Shambhu and his son goes to Calcutta. Shambhu works as a hand-rickshaw puller and tries to earn money. His hardships and ordeals are brilliantly portrayed by arguably the finest actor of this country – Balraj Sahni.
 
Do Bigha Zamin is a strong statement against the people who try to exploit the poor and downtrodden. It supports the socialism movement. In ‘50s when the nation was going through a phase of development, this movie was a reminder that government should take care of the people who cannot stand for themselves. They should not pay the price of nation development.
 
Trivia: Balraj Sahni, to prepare for his role, rehearsed by pulling hand-rickshaw on the streets of Calcutta. He got the mannerisms right by studying some real rickshaw pullers.    

Friday, February 1, 2013

Salim Mirza In Garam Hava | Actor's Eye

Garm Hava or Scorching Winds, as the subtitles suggest, is I feel one of the best and amongst the must watch movies in the category which deals with the subject of post partition atrocities faced by the common man, to be more particular by the Muslims who stayed back, in India.
 
The story of the film unfolds at its own pace slowly and steadily making you a part of the day to day life and problems of the Mirza family, headed by Salim Mirza. The character of Salim Mirza, through Balraj Sahni, tells its viewers how to follow your heart in spite of being in unfavorable conditions. In conditions where your loved ones are moving to an altogether and newly formed country whereas you are staying back; in conditions where your business is being hit because you have always worked on your own terms and want to continue with the same; in conditions when you have to mortgage your house of many decades to make your ends meet; in conditions when your children are not getting jobs because of communal prejudices; in conditions where your daughter is under mental trauma for the fact that all eligible bachelors have moved to the new country; and these all being just a part of the bigger picture. Balraj Sahni has played all emotions, and as his reputation goes, he has played them all very well. He has done it in a very subtle yet effective way. He shows the pain of loss, the love of a father, the care for an ailing mother, the hard work of a good businessman, the fear of one day giving in to the surmounting situations and many more.
 
In all a very nice movie and some very nicely power packed performances by all the actors. No doubt that apart from being the debut movie of a fine actor Mr. Farooq Sheikh, some very fine performances by the very respected Balraj Sahni, playing the lead character of Salim Mirza, A.K. Hangal, Yunus Parvez and others this movie also boasts about being India’s official entry to The Oscars for the year 1974 in the best foreign language film category and many other national and international awards.
 
Written By: Gaurav Karmakar

Saturday, December 1, 2012

Garam Hava In 3 Act Structure | Under Lens

M.S. Sathyu’s film based on Ismat Chugtai’s short story adapted by Kaifi Azmi. Garam Hawa is a fine example of good cinema relevant in the times it was made and even decades beyond. Brilliant performances by Balraj Sahni, Geeta Siddharth and AK Hangal were well supported by Farooq Shaikh and Jalal Agha. Movie will be remembered for sensitive handling of a controversial subject and dialogues.
 
Act 1: In the first part Mirza family is introduced. India is seeking independence and partition is inevitable. Mirza family doesn’t want to leave nation for one or another reason. However, Pakistan, the newly formed entity, is making promises too good to believe. A section of Hindu community believes that since Pakistan is made, Muslims should leave. Not only the political scenario, life of a middle class Muslim family is also explored in this act. A poetic start is used to subtly reveal traumas of partition.
 
Act 2: This act makes a strong impact. Family is broken by politics and new economic dynamics. Mirzas are not able to handle either of them. At a point, Pakistan seems to be destiny, bnot destination. Every reason that has stopped Salim Mirza, the protagonist, to take step towards new state has shattered. His older brother is well settled in Pakistan. Business is in shambles. Old mother, who wanted to die in ancestral house dies peacefully. Daughter who failed in love commits suicide. One son has left for Pakistan and other is jobless. Salim, himself, is tagged as a spy. Life has become difficult for Muslims in India.
 
Act 3: The trick in Act 3 is that it should reflect Act 1 in some way. Same aspirations, same ideology shall rise. This happens in Garam Hava. While Salim Mirza, his wife and unemployed son are going to Pakistan, they see an agitation led by his son’s friends. The seeds of the agitation was sown by his own son who wants to remain in India and develop it. Salim decides to stay back. The problems in this country must be the same as in that country. Pakistan cannot be very different from India. They cannot live life of refugees. Aspirations of a new state shall survive the scorching wings of changing times.  

Written By: Sujoy Ghosh

Thursday, August 16, 2012

Others Who Missed The Final List | Uttkrishtt 2012

These characters won our hearts over ages. They inspired us. They helped us push the envelope. They taught us lessons no textbook shared. They are our heroes...

Ajay Rathore (Aamir Khan - Sarfarosh) : A young IPS who opted IPS over IAS because he wants to weed out criminals proactively. With a small team he takes on naxal-terrorist nexus spanning across borders. His challenges include people in masks and political interventions. In difficult times he keeps his ethics and moral values above everything including his personal welfare.

Bhagat Singh (Manoj Kumar - Shaheed) : Sardar Bhagat Singh is perhaps one of the most respected revolutionary of Indian Independence. Born in family of revolutionaries, Bhagat Singh had patriotism flowing in his veins. When he grew, he took up the challenge and emerged as one of the biggest threat to British Empire in India. He was instrumental in giving direction to the armed revolution. 

Mahesh (Mehmood - Kunwara Baap) : It doesn't take herculean tasks to be a hero. Sometimes even simple acts of generosity count more. Mahesh finds a destitute and despite of his meager resources, decides to adopt him. He assumes the role of father. When the child suffers from polio, he does whatever he can do. However, the child-father bonds suffers a setback when the real parents reconcile. At this point, Mahesh does the right thing despite of the fact that he cannot imagine his life without the child.

Murli Prasad Sharma (Sanjay Dutt - Munna Bhai MBBS) : Munna is a local goon. A simpleton who has adopted to the lifestyle of Mumbai underbelly. However, his family in village believes that he is a doctor. When his secret comes out, he feels embarrassed and decides to get a medical degree. He forges records and exams and get admission in a reputed college. Though he doesn't become a doctor he teaches doctors a couple of things about their profession and humanity in general.

Pradhan (Anupam Kher - Saaransh) : What an old man can do? Pradhan's son died in an mugging incident in US and he is running from door to door to get his son's ashes. He also fights a local politician who took advantage of a girl by promising her marriage. His success or failure becomes secondary as the objective is so strong.

Raj (Raj Kapoor - Shree 420) : There are three stages in life of a hero - beginning, fall and rise. Raj is a simpleton who is adorable is his own ways. He falls in trap of greed and becomes a fraud. He cheats numerous people and becomes rich. Later he realizes that in this process he killed his goodness and decides to do the right thing.

Raj (Shahrukh Khan - Dilwale Dulhaniya Le Jayenge) : Raj loves Simran but Simran's father has fixed her marriage to his childhood friend's son. Though Raj can run away, he decides to win hearts and take away his girl with honor. Raj proves a point by being a good lover-boy, a good son and a good person.

Raju (Raj Kumar - Waqt) : Raju is an embodiment of manliness. He is not a gentleman. He is more or less a crook or thief with some ethics. He has some rules by which he plays his game. As the story progresses, he comes out as a very strong character with a heart of gold. Circumstances might have rubbed against him badly, he still is person one can vouch for.

Ramprasad Sharma (Amol Palekar - Golmaal) : A street smart young man who tricks his boss into believing that he has a twin brother. Problem comes up when boss wants to see his brother and give him a job. He decides to play double role. To keep the story going, he creates a fake mother and his mother creates a fake sister of hers. Th spice it up all, boss' daughter falls for the non-existent brother.

Shambu (Balraj Sahni - Do Beegha Zameen) : Shambhu is poor but has his self-respect. His father Gangu took a debt and worked hard to pay it off. But ever after hard work, due to cunning ways of Zamindar, Shambhu has to pay 235 rupees for his land. He decides to go to Calcutta. He works hard but remains honest under all circumstances. But fate want it other way round. Shambhu loses his land.

Vijay Verma (Amitabh Bachchan - Deewar) : Vijay's father was humiliated and he was branded as a child. The angst against the world puts him on wrong track. The rebel in him is to be feared. The brilliance in him is to be admired. His sensibilities are directed only towards his family and love. He is a person who has seen so much hatred from world that he can only return in the same currency.

Friday, May 1, 2009

Statesmen: Balraj Sahni

Waqt is a legend in cine-folklore and the man who immortalised the song Ae Meri Zohra Jabeen by his prominent screen presence was none other than Balraj Sahni; the Kabuliwallah.

He was born in Rawalpindi on May 01, 1913 and studied in Lahore. After his Masters he returned to Rawalpindi to join his family business. However, that was not enough to feed the actor in him. In ’30s he went to Shantiniketan to join as a teacher for Hindi and English. There he met Mahatma Gandhi and that rendezvous led him to BBC-London where he worked as a radio announcer for Hindi. He returned back in 1943. He was yet to make his debut as an actor.

He stormed into the arena of Indian cinema with stunning performance in Dharti Ke Laal (1946) followed with brilliant performances. However, it was his exceptionally brilliant performances as Shambhu in Do Beegha Zameen and Abdul in Kabuliwallah that established him in the league of Motilal and Gurudutt. His performance in Haqeeqat and Garam Hawa also won accolades in media. Exceptional acting skills and charming voice were two qualities that made his persona unforgettable.

He was a gifted writer and contributed to literature with his works. He was deeply inspired by Russian Revolution and was a proclaimed socialist. He was a highly learned and well-informed person. This trait can be realised by reading his works published across the globe, specially the works on politics. He was one of the founders of IPTA.

He always stood for the poor and what a destiny, he was born on May Day (International Labour’s Day).
He expired in ’73 at age of 60. People remember him as a stylish sophisticated person but when you watch him in Bimal Roy’s Do Beegha Zameen, you will be astonished by the level of method acting.

Written By: Sujoy Ghosh