Showing posts with label alfred hitchcock. Show all posts
Showing posts with label alfred hitchcock. Show all posts

Saturday, March 16, 2013

Rope | The Critique

Just like Tracy and Kramer, Stewart and Hitchcock formed a brilliant actor-director duo. Rope is a fine example. The ability of Hitchcock to build an intense setup on anything and Stewart’s ability to mold into vulnerable personalities complemented each other very well. Rope is a thriller known its long shots. The film has been edited in such a way that entire film seems to be shot in one continuous go.
 
Brandon and Phillip has killed their friend David to prove their superiority by committing a perfect murder. It intensify the gore of achievement they do this just before a dinner where everyone knows David and are likely to be worried with his absence. The invitees include their guide Rupert who approves of Friedrich Nietzsche philosophy and idea of perfect murder. Walking on tight rope, Brandon and Phillip try to win over the situation. Can they do this?
 
Entire film depends on two things – how story unfolds and how the film is edited. Hitchcock ensured that these two things are well taken care of. Performances were good, though there was hardly anything that could have challenged the actors. James Stewart was usual self. Background music and camerawork are really good. They bring out the thrill live. Direction – Hitchcock. Topic closed.
 
Written By: Sujoy Ghosh

Thursday, February 16, 2012

Dial M For Murder | Love Wrecks | The Critique

Nothing hurts a man more than the fact that his wife is having an affair. More than his manhood, it hurts his love and emotions which are usually subtly tabled, not openly expressed. Dial M For Murder is thriller woven around a man’s vengeance against a cheating wife, directed by perhaps the biggest and most respected name in the genre- Alfred Hitchcock. Based on a stage play, the movie is largely shot in living room of the central characters- the husband Tony Wendice and his beautiful wife- Margot.


Within 15 minutes into the movie, one realize that Margot who had a fling with novelist Mark Halliday, has decided to mend her ways. Unaware of her intentions, her husband still believe that she is steady in her affair. When Mark comes to meet her, Tony decides to put a lid on the story, forever. He hires con Swann, a college-mate of his. Swann reluctantly takes the job. But he fails and is murdered in self-defense by Margot.  Tables had turned and Tony finds himself cornered. Will his secret come out or will he come out of it, unscathed? Watch this movie. It’s one of those movies which can make you rewind the tape.


Speaking of performances, there are four characters and they all delivered good, especially Ray Milland who plays the role of suspecting husband. As a scheming person he looks convincing and as romantic, he is really charming. In the last scene, in particular, he excels. Screenplay deserved a special mention. Though shot almost entirely in a room, the movie rely a lot on how the dialogues come up and are delivered on screen. The way thrill is kept intact till very end of the movie, it’s a case study for all script writers. Direction: you don’t comment on Hitchcock. Its blasphemy.  


Written By: Sujoy Ghosh