Showing posts with label Aamir Khan. Show all posts
Showing posts with label Aamir Khan. Show all posts

Thursday, August 16, 2012

Others Who Missed The Final List | Uttkrishtt 2012

These characters won our hearts over ages. They inspired us. They helped us push the envelope. They taught us lessons no textbook shared. They are our heroes...

Ajay Rathore (Aamir Khan - Sarfarosh) : A young IPS who opted IPS over IAS because he wants to weed out criminals proactively. With a small team he takes on naxal-terrorist nexus spanning across borders. His challenges include people in masks and political interventions. In difficult times he keeps his ethics and moral values above everything including his personal welfare.

Bhagat Singh (Manoj Kumar - Shaheed) : Sardar Bhagat Singh is perhaps one of the most respected revolutionary of Indian Independence. Born in family of revolutionaries, Bhagat Singh had patriotism flowing in his veins. When he grew, he took up the challenge and emerged as one of the biggest threat to British Empire in India. He was instrumental in giving direction to the armed revolution. 

Mahesh (Mehmood - Kunwara Baap) : It doesn't take herculean tasks to be a hero. Sometimes even simple acts of generosity count more. Mahesh finds a destitute and despite of his meager resources, decides to adopt him. He assumes the role of father. When the child suffers from polio, he does whatever he can do. However, the child-father bonds suffers a setback when the real parents reconcile. At this point, Mahesh does the right thing despite of the fact that he cannot imagine his life without the child.

Murli Prasad Sharma (Sanjay Dutt - Munna Bhai MBBS) : Munna is a local goon. A simpleton who has adopted to the lifestyle of Mumbai underbelly. However, his family in village believes that he is a doctor. When his secret comes out, he feels embarrassed and decides to get a medical degree. He forges records and exams and get admission in a reputed college. Though he doesn't become a doctor he teaches doctors a couple of things about their profession and humanity in general.

Pradhan (Anupam Kher - Saaransh) : What an old man can do? Pradhan's son died in an mugging incident in US and he is running from door to door to get his son's ashes. He also fights a local politician who took advantage of a girl by promising her marriage. His success or failure becomes secondary as the objective is so strong.

Raj (Raj Kapoor - Shree 420) : There are three stages in life of a hero - beginning, fall and rise. Raj is a simpleton who is adorable is his own ways. He falls in trap of greed and becomes a fraud. He cheats numerous people and becomes rich. Later he realizes that in this process he killed his goodness and decides to do the right thing.

Raj (Shahrukh Khan - Dilwale Dulhaniya Le Jayenge) : Raj loves Simran but Simran's father has fixed her marriage to his childhood friend's son. Though Raj can run away, he decides to win hearts and take away his girl with honor. Raj proves a point by being a good lover-boy, a good son and a good person.

Raju (Raj Kumar - Waqt) : Raju is an embodiment of manliness. He is not a gentleman. He is more or less a crook or thief with some ethics. He has some rules by which he plays his game. As the story progresses, he comes out as a very strong character with a heart of gold. Circumstances might have rubbed against him badly, he still is person one can vouch for.

Ramprasad Sharma (Amol Palekar - Golmaal) : A street smart young man who tricks his boss into believing that he has a twin brother. Problem comes up when boss wants to see his brother and give him a job. He decides to play double role. To keep the story going, he creates a fake mother and his mother creates a fake sister of hers. Th spice it up all, boss' daughter falls for the non-existent brother.

Shambu (Balraj Sahni - Do Beegha Zameen) : Shambhu is poor but has his self-respect. His father Gangu took a debt and worked hard to pay it off. But ever after hard work, due to cunning ways of Zamindar, Shambhu has to pay 235 rupees for his land. He decides to go to Calcutta. He works hard but remains honest under all circumstances. But fate want it other way round. Shambhu loses his land.

Vijay Verma (Amitabh Bachchan - Deewar) : Vijay's father was humiliated and he was branded as a child. The angst against the world puts him on wrong track. The rebel in him is to be feared. The brilliance in him is to be admired. His sensibilities are directed only towards his family and love. He is a person who has seen so much hatred from world that he can only return in the same currency.

Thursday, March 1, 2012

Akela Kramer Akeli Kramer | Kramer Vs Kramer And Akele Hum Akele Tum | Under Lens

Dustin Hoffman and Meryl Streep share 5 Oscars between them and two of those came in Kramer Vs. Kramer where they were paired against each other. Based on plot of estranged couple fighting for child’s custody, Kramer Vs. Kramer was, surprisingly, unbiased and ended on a positive note. It spoke about motherhood, fatherhood, choices in career and priorities of an individual. After about sixteen years, in India Akele Hum Akele Tum was released with Aamir Khan and Manisha Koirala doing a Hoffman and Streep.


Keeping in mind Bollywood ethos, Akele Hum Akele Tum was a decent watch. Music was hit and movie did fair business. Lead couple’s performance was appreciated. Just like the acclaimed original, the lady of the house leave son with father and pursues a career. Not quite adept at household chores, father tries to strike a balance between career and fatherhood. He fails miserably on career front but at no point gives up on his child. Successful, lady returns in their life and claim her right on child. They decide to fight it out in court. Mother is successful, father is trying to catch up on his career without much success. Decision is easy for court but that decision is the most difficult thing for the parents. Lot of love is still there, how can they let the child suffer?

While KVK is very subtle movie and not much histrionics are on display. Being a musical to some extent, AHAT is loud and extremely dramatic. Some typical Bollywood of ‘90s flavor is also there. It can be a little turn-off if you have seen the original. Having said that AHAT was well made. Though definitely not in league of its esteemed original, it’s still a benchmark for remakes.

Written By: Sujoy

Wednesday, June 1, 2011

DK Bose... Under Belly Logic | Editor's Pen

The word DK Bose is a masquerade for an abusive word. Everybody knows and understands this. If I am not wrong, it was first used in Tusshar Kapoor-Riteish Deshmukh starring sex-comedy Kya Kool Hai Hum. It instantly became a part of college slang however faded soon. Cut to 2011. The slang is back. A desperate Imran Khan is smeared in dirt and singing in a broken shriek-style rock.

Frankly speaking, I don’t have any issue with usage of slangs/abusive words in cinema provided that censor board can beep them or give a proper certificate. You always have a choice of avoiding any movie which might offend you. Also, sometimes you can’t avoid usage of f-words. If they are removed, the scene remains incomplete.

Arun Ravindran | Avatars
But I have some problem with public exhibition of such songs on TV where kids and youngsters watch it. It’s not like that they don’t know them. It’s not like that they don’t use them. It’s just that by putting them on TV, one ensures that every one catches the term. The word becomes a fad and causes unwanted embarrassment to many. The youngsters learn it quick and pass it on to toddlers… much to parent’s helpless angst. Deep down even Mr. Khan would accept that this is a shame. We want our children to be sensible and mature but not by means of learning words like these.

I know someone whose name is D.K. Bose. I can’t imagine how he might be feeling…

Anyways... the pic here is of Arun Ravindran who won the second prize at Between Breaths. The smile on his face tells it all...

Kudos... great work mate.

Regards
Sujoy

Monday, January 24, 2011

Dhobighat- Mumbai Diaries | Impressive | The Critique

If you like really HATKE films: Rating: 4/5               Else: 3/5

Kiran Rao. An assistant director of Lagaan who later became The Aamir Khan’s wife. But this would not be her introduction hereon.  Her debut Dhobighat would be. What many people figured out as the main weakness of the movie turned out to be the beauty. There is no great story. It’s a montage of some interesting and some clichéd plots. Mumbai Diaries, as the poster suggests, is a collage of simpleton and the high society people living the concrete jungle.

Dhobighat has four semi-stories. A painter who is divorced and recluse. A banker on sabbatical who wants to see the common man through her lenses. A dhobi who wants to become an actor. A married girl who wants to tell her brother everything about her life. The first one seemed to be half baked however rest were fine. The high of the montage was the fourth plot. A Muslim girl showing her world to her younger brother through a handycam. Her expressions were genuine and the sequences in her story though not related seem to complete the flow. Dhobi’s plot is amazing but very clichéd. That’s the only turn off. The Banker’s story was bold and confident.
Actors have done great except Aamir Khan. He is the only one who seemed to be a bit out of place. Kiran should have picked up some low profile actor for this role. Prateik is brilliant. In every frame he is capable of holding you. Monica Dogra is beautiful and did a fine job as Shaii. Her smile takes you on a joyous ride. Kriti is interesting. Her expressions are perfect and she is one actress to look out for.

Cinematography is amazing though the shakiness thing seemed to be overdone. It should have been avoided. Dialogues are good but nothing out of the box. Background score and music is brilliant. It couldn’t have been better. Direction is good. It’s difficult to make such movies. Kiran Rao definitely have gray matter but she needs to ensure that too much of grey matter can be a major turn-off.

Written By: Sujoy Ghosh

Saturday, January 1, 2011

Dhobighat - The Awe Before The Dawn | Cine Talk

I avoid talking about movies before their release. I am paranoid. I have seen movies like Sarkar Raj failing after piling up loads of expectations. But this movie has made me write about it… I guess we all are waiting for this one.

Dhobighat is already the talk of the town. Why? It is directorial debut of someone who is the wife of a superstar. Plus, she got her hubby in for a role that is really very different. A rebellious and very talented son of an acclaimed actress and actor is the second quarter of her movie. Rest half. I bet most of us haven’t even heard their names. Moreover, the way DG was shot is now a part of tinseltown legend. Police was not very supportive considering many risks involved. So, they did it the guerilla way. In chaos and amidst public.

The promos of DG are pretty interesting. It seems to be four stories interconnected with some links that somehow complete the circle. The four stories: a painter, a youngster, a photographer and a simple girl are four cornerstones of the plot. Though I am looking forward to the story of photographer, it seems that the plot of the painter will be the most complex one.

Looking forward to this movie…

Written By:  Sujoy Ghosh

Friday, July 16, 2010

Raakh Movie Review | Critique

(shooting of Raakh)


Pankaj Kapoor, Aamir Khan and Santosh Sivan are icons today. The first one is a brilliant actor who can simply eat co-actors on screen like he chews carrot. The second one is one of the outstanding actors of our times who has established himself as a superstar. And the last name is of one of the finest cinematographers of this country. In 1989 they were just names.

In 1989, after stupendous success of Qyamat Se Qyamat Tak, Raakh was released. This was Aamir's second venture that flopped badly. However, like wine, it gained popularity over years and today is widely studied by students of cinema. Directed by Aditya Bhattacharya, son of Basu Bhattacharya, Raakh is an interesting movie and a must watch for cine-lovers.

Aamir (Aamir Khan) is a rich boy who loves a much mature girl, Neeta (Supriya Pathak). One night, a local goon rapes her. He witnesses that but is not able to do anything. He seeks help from a sub-inspector (Pankaj Kapoor) who has taken a stand against the goon in past. However, he is suspended. Now, what can he do? What will Aamir do? Will Neeta's wrongdoers meet their fate? Raakh symbolizes all the answers.

Raakh is not regular cinema. Its hard-hitting and deserves a standing applause. That time, in 1989, this movie might have failed to catch the imagination of masses. But, I guess this happens to every movie that tends to think beyond time. Doesn't it?

Written By: Sujoy Ghosh

Monday, March 1, 2010

Aamir Khan vs Javed Akhtar | Eyes Read it

Hi there…

Cinematic world just witnesses a clash of two iconic figures on the issue of royalty for lyricists. While one of the figures was Javed Akhtar, on the opposite end we had Aamir Khan. Both extremely vocal in their opinions and in a moment, Khan resigned from the Committee appointed to oversee Copyright rights by the Government.

Khan has a opinion that lyricists do not have that great influence on the success of a movie that they should be paid more royalty after the success of movie. It should follow the traditional pattern where settlements are done prior to the release. However, Javed Sa’ab disagreed. He said that the music, that obviously includes lyrics; can be a major determinant to the success of movie. Well, he has a valid point as many movie get the initial collections because their music attract the people. That is why Javed Sa’ab made it a point that scriptwriters and lyricists both should be provided with royalties. Interestingly, even after 3 Idiots-Vidhu-Chetan fiasco, Khan stressed that writers (but not the lyricists) should be compensated appropriately.

Though, the motive is to ascertain the financial security of little known writers and lyricists; the resignation (though was taken back after intervention of concerned ministry) left sour taste on mouth.

Keeping the spat aside; recently promos of Prince (the Vivek Oberoi starrer) are being floated on small screen and from rushes looks promising technically, not story wise. The actions and graphics are at par with Hollywood movies and we can expect a success though the diminished fan base of Vivek raises doubts. After Company, Sathiya and Shootout…, he has hardly done any remarkable work though he has shown great promises on his debut.

Keep looking for this space for more stuff…