Showing posts with label Nana Patekar. Show all posts
Showing posts with label Nana Patekar. Show all posts

Tuesday, October 1, 2013

Parinda | Underbelly Of Mumbai | The Critique

Who exposed Mumbai’s underbelly to entire world? Was it RGV? No, it was Vidhu Vinod Chopra. FTII graduate Vidhu made a name for himself with award winning short films and critically acclaimed Khamosh when he decided to shun his comfort zone and explore the darker alleys of Bombay in its true shade. Landmark film Parinda starring Nana Patekar, Jackie Shroff, Anil Kapoor and Madhuri Dikshit was the outcome.

Parinda is a story of two brothers – Karan and Kishan and a mafia-lord Anna. Kishan works for Anna but have managed to isolate his young brother Karan from the mess. Karan however gets involved when his best friend, a cop, is brutally in his arms on behest of Anna. He decides to finish this business. He decides to be a mole and joins Anna’s gang. What lies further is an intense tale that tests relationships and character.

USP of Parinda is the intense story and brilliant presentation. Editing by Renu Saluja and Music by RD Burman complements Binod Pradhan’s cinematography. The scene in which Anupam Kher is killed is one of the iconic impressions of the era. Nana Patekar who also contributes in story brings out one of the finest performances of his life. His adaptation of a brutal mafia lord reflected many times in coming years. The brutality expressed through eyes have no parallel. Jackie Shroff and Anil Kapoor too gave performances of their life. Madhuri did an apt act.

A cult classic, Parinda will be remembered long – for content, for performance and for technical brilliance. How many films have managed that in Bollywood?

Written By: Sujoy Ghosh

Thursday, August 16, 2012

Heroes Of Hindi Cinema | Uttkrishtt 2012

We can always argue who is our favorite hero. Definitely a matter of subjective evaluation. However, that should not undermine the popularity of characters and appreciation by masses. Presenting Uttkrishtt 2012 Results – Heroes Of Hindi Cinema...

A quick analysis can tell us that people didn’t voted much for larger than life characters. Most of them walk among us. They represent masses. They fight for causes so omnipresent that usually we chose to ignore. Not every hero wins. In fact, some lose their battle. But their fight is not about the outcome. It’s about their values... You can lose a battle provided you fight well.

1. Common Man (Naseeruddin Shah - A Wednesday) : What can a common man do? We need heroes to do the struggle on behalf of common man. But on a Wednesday things changed when a caller brought entire Police Department on knees and successfully orchestrated killing of four deadly terrorists. As it turns out, he is just another common man, without a name and to some extent, without an identity.

2. Raghu (Rajesh Khanna - Bawarchi) :  He is street smart. He can manage house and people like a magician. But what makes him different is his inherent goodness. His ability to teach people a few nuances about life. He picks a family where harmony is a matter of past and becomes a part of it, only to teach them small things to make life better and leave them forever... in search of a new house.

3. Radha (Nargis - Mother India) : Mother - whenever this word is uttered, Nargis drenched in sweat while working in farm is one of few images which comes up in mind. Radha's life is a ballad of struggle and resilience. Her husband leaves her with debt when he becomes invalid. Lala who lustfully approaches her. The famine and never ending financial problems. She refuses to bow down and remains righteous. In the end, she even kills her own son in order to save the honor of her village which she believes to be not different from hers.

4. Suresh Sinha (Guru Dutt - Kagaz Ke Phool) : A successful film director whose marriage is on the rocks finds some solace in affection of his new actress. As his romance faces trials, his daughter is not happy with the situation. Unannounced, actress leaves him. His work betrays him and slowly becomes irrelevant in cinema. In the end, he dies a tragic death.

5. Usha (Smita Patil - Bhumika) : Usha is a strong willed woman who wants to make her career in cinema. Her manager, who later becomes her husband, arranges work for her. After a point she wants to leave her profession much to dislike of her husband. She leaves her and pursue a relationship with a director which doesn't work out. It follows up with a relationship with a businessman who is too orthodox. In the end she returns to her husband and try to redefine her life.

6. Vijay Deenanath Chavan (Amitabh Bachchan - Agneepath) :  Revenge is a dish best served cold. Kancha was responsible for murder of his saintly father and he decides to take his revenge. Vijay wants his village back. His violent means are not appreciated by his mother but his goodwill has many takers. He is a character who breaks laws but doesn't break hearts of poor. A person with heart of gold and blood in eyes.

7. Yeshwant Lohar (Nana Patekar - Yeshwant) : Hot-head. This one word describes Yeshwant. However, he is not only a hot headed cop, he is a very honest person who would not let anything bypass law. He inspires his wife to become IAS. When he realizes that he was wrong in doubting her, he apologizes sincerely. He is a temperamental but un-tampered character.

8. Kabeer Khan (Shahrukh Khan - Chak De! India) : A disgraced captain of Indian Hockey team whose religious identity becomes a subject of suspicion takes up a difficult task of training a women's Hockey Team and win the World Championship, something literally unheard. He fights against the system, his demons and resistance within the team. In the end, when his hard work pays back and the color of medal changes to gold, he silently leaves in his own little world.

9. Adinath (V Shantaram - Do Aankhen Barah Haath) : A young jail warden who believes that goodness exists in even most dreadful criminals and this goodness can help them their demons and become good citizen. He takes six criminals with him and tries to rehabilitate them in a farm. His firm belief in his ideology works and six criminals becomes good citizen. The purpose of law and punishment sees the daylight.

10. Raju (Dev Anand - Guide) :  Raju, the guide, falls in love with dancer-wife of archeologist. Dancer is lonely as her husband doesn’t care for her talent. Raju makes her a professional. As money comes, greed develops. Eventually, he is arrested. After release he takes shelter in a famine-ridden village. Due to miscommunication, people start believing that he is a saint. They start paying respect and much more. Some more miscommunication happens and message 'he won't eat till it rains' goes out. After a lot of dilemma, Raju decides to stick to the message.

Tuesday, February 1, 2011

Nana Patekar | The Actor With An Aggression| Statesmen

Some days back I was watching one brilliant movie by Nana Patekar. Prahaar. He is one big show-stealer. With the aggression in his voice and mannerisms, he makes a badly directed movie like Tiranga appear like a gem. Talking about Prahaar; it is a movie about Military Academy and their idealism. Also, it introspect the failure of Civil System in this country. Directed by the Nana Patekar himself, it suggests that for some time, every Indian should be a part of Army (Defense in general).

Nana Patekar is one brilliant actor who can stand with Naseeruddin Shah in current scenario. The power he instills into a character is simply amazing. I remember one amazing performance in movie Wajood (Don’t tell me that you haven’t heard of this name) where he plays the character of a theatre artist. In this particular scene he plays turn-coat aspect of a mentally-sick character. The person in him is a meek fellow who is very shy and reluctant but when he is acting, the artist in him totally hijacks everything around. As a viewer I was mesmerized watching that scene in which my favorite actress Madhuri slowly vanishes in nothing.

Another epic example of mélange was a scene in movie Yeshwant (Ek Machchar Sala… Fame). Yeshwant wants to say sorry to his wife and is waiting for her at her place. He rehearses for his apology and her reply, switching between both skins smoothly. This one scene is enough to fall in love with the actor in him.

Krantiveer is definitely one of the most celebrated movies of this actor but in my opinion any discussion about Nana is incomplete without these three movies- Prahaar, Wajood and Yeshwant. It’s unfortunate that he never got his due, the only reason why it happened is that he lacks the chocolate boy face. He is more like us than the Kapoors and the Khans. Maybe we hate to see the mirror…

Written By: Sujoy Ghosh

Monday, June 14, 2010

Rajneeti | Movie Review | Critique

Rajneeti, released on June 4th, this year is a movie that is going to influence cinema for some good time. Director and co-writer Prakash Jha is one of the most respected name in current scenario in Indian Cinema and with this movie, strengthened his claim of respect. This movie delivered what the viewers wanted. Great performances and awesome dialogs carrying a strong script.

Movie is undoubtedly written on the lines of Mahabharat and took subtle but evident inspiration from The Godfather. Political background drew attention but barely has anything to do with Gandhi family (except a small part in climax where Katrina, a widow leads the party). These inspirations were the basic problem. In Mahabharat times and in Mafia, so much bloodshed seems logical but in current political scene, it’s not logical at all. Violence should have been substituted with more subtle alternatives like jail and political stalemate. Mindgames would have been a better way to show it.

Notable performances by Ranbir Kapoor and Arjun Rampal. Rampal performed like one who has a National Award on his rack. Ranbeer excelled his past performances. Nana Patekar and Manoj Bajpeyee were simply awesome in their portrayals. Ajay Devgn got a raw deal in a highly underwritten/ edited role. He deserved more space. Katrina and Sarah (Ranbeer's lady in movie) put apt performances. Everybody else including Chetan pandit (Ranbeer's father) did a fine job.

Music was okay but editing was good considering the canvas of movie. Direction and writing deserves praise as they won the battle for the movie. They were the real stars. Watch it if you want to play with your gray cells.

Wednesday, March 31, 2010

Gubbare

Category: Anthology Movie- Dus Kahaniyan
Rating: 7.5/10
Director: Sanjay Gupta
Actors: Nana Patekar, Anita, Rohit Roy
Plot: A newly-wed couple is annoyed with each other. Girl befriends with an elderly person and he tells about how he makes up with his wife when she gets annoyed by gifting her balloons. He tells about the little fights he and his wife have amongst themselves and makes peace happily. It is later revealed that his wife has died long ago and he actually goes to cemetery to gift her balloons. The girl realizes that life is too small for love and she is wasting her time by indulging in petty fights.