Showing posts with label The Lunchbox. Show all posts
Showing posts with label The Lunchbox. Show all posts

Thursday, January 16, 2014

Indie Efforts Making A Point | Blue Notebook

The Lunchbox: Ritesh Batra’s much appreciated film which was almost selected for country’s entry for Academy Awards – Foreign Language was more about relationships and abstract connection between rather unrelated dots. Irrfan Khan and Nimrat Kaur – rather unusual lead pair – was dubbed as the most romantic couple on screen in a couple of year or so. on the other hand, in a quintessential role, Nawazuddin held his guns against the last king of his kind – Irrfan Khan.

Lucia: Nolan is definitely not the only man who can sell dreams so convincingly. Crowd funding, low budget and word of mouth, Kannada film Lucia appeared to have checked all the boxes correctly. Pawan Kumar moved from his acclaimed debut Lifeu Ishtene to a new model of funding and worked it out well. However, the USP was not crowd funding. It could have been made anyways and still would have got the acclaim for being an interesting psychological thriller. Critics rated it the best film concept wise in rather a long duration.

Qissa: An Indo-German collaboration, Anup Singh’s Irrfan Khan and Tillotama Shome starrer Qissa can boast of accolades it has got across the globe. Irrfan plays patriarch of a sikh family with four daughter. In the turbulent times of ’47 partition he raises his fourth daughter as a boy. The idea and the performance backed with capable technicians makes Qissa more than just an interesting watch.

Tasher Desh: More than often Q will appear in this section. His adaptation of Tagore’s  work by the same name has broken the conventions, even the ones set by Q himself. The selling point of the film is Q’s interpretation of Tagore’s work and its presentation. If at times performances don’t matter much, this is one such occasion. However, Q has been lucky to get a good team both behind and in front of camera.

B.A. Pass: Noir rarely work in India. Low budget noir die premature death. Ajay Bahl however managed to get the business right. Word of mouth and saucy promotions ensured enough footage to get the audience. Shilpa Shukla was the star of the film from the moment her name came across. She justified it with her performance. Though there were moments which seemed to be overdone, the movie successfully passed the message across the board. Well, a good precedent.

Friday, November 1, 2013

The Lunchbox | Buzz That Works | The Critique

It’s a miracle how The Lunchbox works. It’s definitely a good film. Overhyped? Yes, but still a brilliant film. It grows on viewer like Shawshank Redemption where story allows viewer grab protagonist’s shoes and walk in them. The little frustrated or bored or simply tired person in you make you feel The Lunchbox as a little story of your own. That’s the USP of this film and Ritesh Batra has nailed it right.

The Lunchbox is a four pronged story. Sajan played by Irrfan, Ila played by Nimrat, Sheikh played by Nawaz and the unifier – a misplaced Lunchbox. A bored and frustrated housewife Ila connects to a lonely retiring Sajan who is unable to come to terms with his own life. They find comfort in letters. Sajan is also having a problem in giving work handover to Sheikh who has overcame a lot in his life. His strife and determination surprises and impresses Sajan. Lunchbox, a motif in true sense provides them a platform to connect and provides audience a sneak peek into hustle of the metro.

Film is not without faults. Unexplored subplots and too much focus on lunchbox without driving to any point are two major deterrents. Subtle nuances are good. Contrast between calm lives of people and chaos of Mumbai brings in the element of zing to the story. Performances are good. Nawaz excels, Irrfan is quintessential and Nimrat impresses. Amateurs acts amateurish.

Technically – cinematography and music – film excels. Bringing in seasoned Max Ritcher works. Writing leaves much to aspire for. Without actors of such caliber, film would have failed miserably. Direction is decent. Film stands good for the hype it generated. Success of this film would motivate indie to go that extra mile. It means a lot. Really.

Written By: Sujoy Ghosh