Ram-Leela | There But Not Quite | Music Review

Sanjay Leela Bhansali, director turned composer is back with his new album after 3 years, and yet he has stretched to give 10 tunes. Yesss, you read it write, the album is too long and hence bear with me if the review grows lengthy too. Anyways, while reviewing Guzzarish in same forum, I said, SLB’s music lacks variation and this album has once again stamped my belief.

The movie aims to be an epic love story set in Gujarat and the music also has the traditional folk touch to it. The album opens with the title track, ‘Ram chahe leela’ with a bang !! A kick-start to the album, and the gossip of Piggy chops dancing to its tune as an item girl is definitely going to keep it in chartbuster race. The contemporary lyrics blend with folk music, add to the spice. Indian Idol gal, Bhoomika Trivedi does her debut with this song, and is pretty confident, wishing her all the best.

Next in queue is ‘Lahu munh lag gaya’, Sahil Hada is just OK, trying little too hard. The Gujarati folk music is good and instrumental arrangement is well synched. Followed by ‘Ang laga de’, the sensuous number. It opens with Aditi Paul’s perfectly balanced voice and seductive notes, and at once promises to be one of the best in album. The song duration is approx. 6 mins and though it sounds pretty decent, it remains to be seen whether it’s visually appealing too!

Sahi Hada appears again, this time with ‘Poore Chaand’. I need to admit here that at first, I considered it least promising in the album. But, its one of those which grow on you. Considering SLB’s fixation for moon, this can be expected to produce some great chemistry between Deepika & Ranveer. With all this we are back to, HDDCS ‘Dholi Taro’. Yes, the song, ‘Nagada sang dhol’ seems to be a sequel. In this dandiya season, its definitely going to set some dance floors on fire. The disturbing factor, is the lyrics, ‘dhaiyan dhaiyan dhum’, c’mon everyone knows how a dhol sounds.

Here comes my personal favorite in album, ‘Laal Ishq’. Arjit Singh, Aashiqui2 & YJHD fame, is making it a habit to get the best tunes. The subtle and effortless singing, with the tinkle of temple bells gives it a soothing feel. The track is well grounded in classical music and though it treads over six minutes, this one is sheer beauty! This is for ones in love.

‘Ishqyaun Dhishkyaun’ the fun element in the album in the voice of Aditya Narayan. The lyrics are too juvenile and totally different from album’s mood. But SLB proves himself again, the music still remains the same and does not go along with happy go lucky lyrics. The only duet in the album, ‘Mor Bani’, is a traditional Gujarati song. Next in line is, ‘Dhoops se’, with Shreya Ghoshal to bring it to life. She once again proves why she can be compared to music veterans of the industry. An emotional and passionate song.

Album ends with, ‘Tattad tattad’, being used for film’s promotion. This one has nothing much to offer other than Ranveer’s  body show.

Verdict – SLB has improved but lacks variety to its hard core, and really can’t warranty the kind of commercial elements that could have ensured a chartbuster status. But still we appreciate this attempt at the traditional folk melodies, in the world of ‘Chikni Chameli’ or ‘Anarkali disco’. Rating – 3/5

Written By: Neha Jain

Raanjhnaa – Music Review

AR Rahman is ready to top the charts with this new album. Personally, I was too dissatisfied after Jab Tak hai Jaan, but this one showcases his exclusive musical style again.  As the setting of the movie is in the holy but musical city of Benaras, which has given many best classical musicians to the country, the album is an amalgamation of classical music with western touch.

Banarasiya, the name itself has the classical vibe in it and so does the song. The instruments (flute, table) are beautifully used and Shreya Ghoshal’s voice has sweetness to it, indulging you to hum with her. Benaras being my hometown, I was too expectant from this song and thus the lyrics let me down.

Piya Milenge, takes and awesome start and the Sufi touch adds to the romantic though melancholy mood. This can be an apt choice for a repetitive playlist. Sukhwinder Singh has done justice to the mood, but the chorus is the one adding power to the song.

Tum Tak, left me with a mixed feeling. This is probably among those songs which grow on you with time. I will give it an edge and probably another chance.

Nazar Laaye, has some kind of 90’s pop album feel. The music sounds similar to the previous song and hence a sense of repetitiveness makes you not to enjoy the song much. Neeti Mohan has done a better job than Rashid Ali.

Raanjhana, is my favorite in the album. The blend of classical and fast pace is awesome. Jaswinder Singh has done a great job and with his voice you too can relate emotionally to the song.

Tu Man Shudi, takes a wonderful start and has the potential to be the best soundtrack in the album. But alas, soon it seems to be dragging and Rabbi is putting a lot too much effort to cope up with Rahman.

Aye Sakhi, brings back the classical vibe  singers adding an extraordinary melody to the song. I am not sure who added the innovation of “tyun tyun” after every stanza, I simply did not understand its purpose. A near miss to be a perfect song.

Aise Na Dekho, is a jazzy romantic number. Little slow but enjoyable.

All in all, I will say, its a typical AR Rahman album !! This is a good one, but yes, not his best. I am awaiting for another Roja / Dil Se / Saathiya.

Written by Neha Jain.

The Music Of Bollywood | RS Unplugged

The massiveness of music can be, in a way, traced by the number of genres it can be categorized into. In our world itself we have innumerable genres, however today I am taking on a genre which has been significantly making its mark in the world’s music. Filmi, described as ‘of/from films’ (from Bollywood). The word is often used in daily-life for everything related to our movies. However, it actually has been declared as a genre of music.

Filmi songs are composed as an integral part of the Bollywood feature films, which show actors dancing on them, and aid to the narrative of the film. Often the soundtrack is more popular than the movie, or a movie will become a hit just because it has good music! (However, it’s not the case anymore; a bad movie cannot be saved even by good music!). Lately, a new trend has also begun where a few songs don’t appear in the movie, but just act as “audience-grabbers”.

Now, what does filmi music comprise of?? ...

Well, it has a vast, yet a simple answer … anything to everything!!

Yes, that is the reason why when we think about it, we don’t think about rock or jazz or blues or pop or anything else, but just ‘filmi’ music, because it has them all. Varying from Qawwalis to rock, from classical Indian music to the grooviest remixes, it encompasses everything. It can infact be considered as the fusion of all the other genres, but keeping that filmi touch intact in it. And courtesy to some of our finest composers (read that as Pritam, Anu Malik, & even R.D.Burman, & many more), we get to hear music from all over the world. ;)

The major reason why filmi music is reaching out to the world today is because of the tremendous increase in the popularity of Bollywood. We can also see many English artists doing fusion with Indian composers, (Not to forget that Akon is singing a song in hinglish in RaOne!) & with Mr.A.R. Rehman winning the Oscar, landmark has already been set.

Infact, this is just the beginning. Bollywood classics are still unexplored by the world. With a plethora of colors and variety that it holds, filmi music is surely a big bang in the world music.

Written By: Rishabh Shukla

Yamla Pagla Deewana | Music Review

Whenever we hear the above three words, a typical image comes into mind, which is of none other Dharmendra, in his best dancing mode. But this time we have bonus in form of junior Deols too.

Check out the title track of this album and you will know what I mean. RDB realized the charm of the original chartbuster and avoided much adulteration. Sonu Nigam , who has literally made his life from Rafi songs, was the apt choice. The song has the appeal to make you dance on the floor in Dharamji's famous style. The experiment done in form of additional new lyrics, 'soniye manmoniye', should have been avoided.

Next comes, earthy 'Charha De Rang' and is instantly likeable. I believe that the makers were most confident about this track. Reason being that it appears as many as four times in the album. Though its best in the album, but I personally like trying only the main version of songs in any album. Composed by Nouman Javaid, it has a strong Indian flavour. Rahul Seth has done a splendid job.

Then there is a twist in the album with the entry of item number 'Tinku jiya'. The song is high on beats and  lyrics are totally soaked in the rural flavour, that you can't humm. Anu Malik (turned lyricist) composition is what promises to be a 'masala' outing for the masses.

To complete the album, we required a love song, which is fulfilled by 'Sau Bar', a complete failed attempt. I believe soft numbers take time to grow on you, and I would this song a benefit of doubt. Omar Nadeem and Shreya Ghoshal are behind the mike, and their performance is the reason for my leniency.

Munni + Sheila ki Jawaani = 'Chamki Jawaani', another to join the race of item numbers.  Initial portion of the song is on the same lines as 'Kajraare'  and later qawalli touch makes it enjoyable. Mamta Sharma, 'Munni badnaam' fame is outshone by Daler Mehndi and Master Salim. My friends made my room a DJ floor when I played the song. We really enjoyed and had fun.

An overdose of item numbers is felt when the album throws up another similar track, 'Son titariya'. By now, I had started wondering if the setting of movie is in UP/Bihar or Punjab. This is folk piece sung by Krishna Beura, instantly reminding of 'Humka peeni hai' from 'Dabaang'. I believe too many whistles in the theatres would accompany the song. Vocals and music are good, but life of the song is again short.

Talking of Punjab, and no Sukhvinder yet? Here he comes with 'Kadd Ke Botal', and smashes all my hopes. Lyricist is Dharmendra ji himself !! The song didn't even touch bottom mark of older Punjabi tracks, I expected something more pacy .

The album is concluded with a-minute long 'Gurbani' put together by Sanjoy Chowdhury and sung by Shahid Mallya.

 

Verdict – Apt to make it to your playlist but not to your collection..

 

Written by

Neha Jain

Guzaarish | Music Review | Fresh

Sujoy and Ali are so punctual with their articles and edition, that I always appear late. But I can’t help it, I need the music to grow on me and to make my task tougher, the film industry is introducing new Music directors with each upcoming movie. After Satyajit Ray and Vishal Bhardwaj, Sanjay Leela Bhansali is making his debut as the music director of his own film Guzaarish. In words of Sanjay, "I've done the music of the film as I felt the way I understood the characters of the film, I would not be able to make a music director understand all that. I wonder how he was able to make the actors understand all that. Anyways, not deviating from the topic, let me tell you, Sanjay Leela Bansali's music has melody, but it lacks variations. The lyrics are penned by Vibhu Singh and A M Turoz, who have done a good job.

• Guzaarish : The title and opening track of the album begins amidst the sound of rain, a lovely piano, and a violin. KK has put so much feeling into every note doing justice with the mood and lyrics. Music though purely relies on the violin, but nevertheless its a slow melody to be loved by those romantic at heart.

• Sau gram zindagi : As the name suggests, the track has a philosophical undertone. Kunal Ganjawala has give his best, and orchestral music is soothing, but suddenly it has a very hard rock infused section with lyrics sung in English. Maybe in the context of the film you will think: "oh, now I see", but listening to it out of context it is hard to see the continuity.

• Tera Zikr : It’s an average fare rendered by Shail Hada and Rakesh Pandit. So, did I like it... I am not sure.

• Saiba : My personal favorite in the album. First song in the album which has a female voice chipping in, which has longing in every note. Vibhavari Joshi gets a platform for herself through this film. The guitar and Portuguese settings add to the lyrics full of romance and poetry but doesn't leave the basic 'sur' of album.

• Jaane kiske khwaab : The 5th slow track in a row, with a piano based arrangement, looks like a situational track.

• Udi : The only fast song in the album having a carnival feel to it Sunidhi Chahuan as always done a wonderful job, but yet songs fails to make you tap your feet.

• Keh na Sakun : Back to slow – mo. You would like to skip this song since it has nothing novel to offer.

• Chaand ki katori : Harshdeep Kaur, has delivered every time when summoned to do the job, is impressive once again. She gets into the 'raga' mode for 'Chaand Ki Katori'.

• Dhundli Dhundli : Continues the trend of album, the only good thing about this song is Shankar Mahadevan.

The songs seem apt to situation in the movie but as an album the listener has had enough. Throughout the album it seems that Sanjay had one idea in mind and he was not able to come out of that. The songs have gray shade (slow and depressing) He should be thankful to lyricist and singers for saving the album.

Verdict : Please get yourself a music composer, Mr. Bhansali. (2/5)

Written by Neha Jain

I Hate Love Stories | Music Review

Imran Khan……..awwww !! I seem to be falling in love with him. And just look at ‘I hate love stories’ promos. Sonam Kapoor is looking so gorgeous and her dresses, they are simply WOW. OOPS !! I forgot, I had to discuss about the movie’s music, and I shall better start, before Sujoy cancels my post.

In true Dharma style, this film is a modern look at romance, and the talented duo of Vishal-Shekar   created the tunes to match the hip and young flavor to the story.

Vishal Dadlani opens with Jab Mila Tu, an eclectic mix of instruments and styles. A peppy song which makes your feet tap and your head sway.  'Tu Ru Tu Tu Ru Tu', is sonn gonna be a slang among youngsters. The song is greatly reminiscent of the popular Dostana track Jaane Kyun, yet it manages to stand out of its own accord in certain ways.

Next in line is Bin Tere, soulful and melodious number, the best in album. Shafqat Amanat Ali and the lyrics by Vishal Dadlani with a great use of Urdu are the treat. The English lyrics used in the chorus is a further add-on. Sunidhi Chauhan has performed well but couldn’t match up to the male voice. Bin Tere has a reprise version which takes a lead on the original.

My instant favorite was the Title track. A lively catchy teen song with hindi-english Gen-X lyrics by Kumaar which are clever, creative and comical all at the same time. The countdown, “One Two Three Four….” adds to song pace making everyone ready to dance. The music is great, but it is Vishal Dadlani’s vocals that make it too good!

Bahara is an unusual track amidst the others in this album. Shreya Ghoshal is wonderful while Sona Mohapatra echoes in the background with an addictive amalgamation of folk tunes. Girls can associate with the song, with lyrics narrating ‘first love’.

In conclusion comes the soft melody of Sadka. Suraj Jagan’s new avatar is awesome, I plan to put the song on replay again and again. Mahalaxmi  Iyer  is good, but once gain, male dominated song. The background score is both peppy and emotional. Anvita Dutt’s lyrics beautifully show conversion of my hero from cynic to a believer of love. I am dying to see its picturization.

Vishal-Shekhar have definitely done it again. If you haven't checked it out yet, we suggest you wait no more!

Verdict  - “I Love Luv Storys” !!

Written By: Neha Jain

Raavan by A R Rahman | Music Review

I dont know if its destiny or pure coincidence that I am coming back on ReelMag reviewing my favorite, A.R.Rahman's work , that too for Maniratnam, which is ofcourse not by chance that His best music has been reserved for him. It’s largely traditional folk-based music, with a modern touch but it will take time to grow on you.

1. Beera : Congo beats welcome you to the world of Beera, the main character. Lyrics by Gulzar are situational and might be more appreciated after the release of the movie. Singing by Vijay, Mustafa are first class with vocals by Keerthi adding drama to the track. A typical Rahman’s experimental with fusion of Indian and Afro music.


2. Behne de : A slow start song, but as it gains pace, oozes melody from start to end. Gulzar’s striking metaphors are a treat to listen to and visualize. Karthik has given his best performance ably supported by Mohamed Irfan.

3. Thok de Khilli : A mixing pot of dholaks, guitars & shenai, takes a start as a dance number. Sukhwinder Singh adding his exotically rich voice and energy with an Arabic essence in the in-between phrases. But not a hit in the offering.

4. Ranjha Ranjha : My favorite in album, fusion of peppy modern beats and traditional folk. Rekha Bharadwaj’s sufi type chanting of "Ranjha Ranjha" is phenomenal blended very well with Javed Ali’s voice and amazingly written lyrics by Gulzar.The richness of Rahman’s music is undescribable.

5. Khilli Re : The only romantic track in album. It is a mix of contemporary music with retro, quite reminiscent of the 80s romantic songs. Lyrically it has nothing special to offer but melodiously crooned by the first-timer Reena Bhardawaj.

6. Kata Kata : A distinct Rajasthani folk has the essence of euphoria with layer upon layer of mind-boggling notes. The multi-faceted singers energize the song, thanks to the folksy lyrics.

Raavan music has variety, class and rustic flavor that deserves repeated listening to be fully appreciated. But one thing, which never before happened with Rahman, that some songs have some similarity to one of his previous compositions, Ranjha – Maiya (guru), Kata – Azeem o shaan (jodha akbar), Behne de – Tu meri (jaane tu).
 
Written By: Neha Jain

Pyaar Impossible Music Review

Next gen laptops, mobiles or cars & even next gen broomsticks are available in market so why not a Music album. Here comes Yash Raj Films and composers Salim-Sulaiman with a glossy teenage album, “Pyaar Impossible” with a young and sassy feel. The movie is an urban rom –com and composer duo has done justice with the theme giving a peppy soundtrack having foot-tapping groove to it. Anvita Dutt Guptan’s hinglish lyrics are cool and hap giving one additional marks to album.

§ Alisha - Anushka Manchanda full of zest has done a fabulous job. The change in notes and pitch of voice has been dealt well, enriching the song. But chorus by Salim Merchant, though required, is quite interruptive and spoils the fun one is having. The Remix version is quick paced and has its own flavor.

§ You & Me – A zappy track with an interesting combo of Neha Bhasin & Benny Dayal. Not a romantic song, talking about two different people. Heavy influences of pop make it run out of stream. You wont realize when the song comes and goes, yet a tolerable one. In contrast to above, its chorus is its life.

§ Pyaar Impossible – Being the title track suits to theme of movie and yes, the best one selected for promotion. A breezy number in smooth vocals of Dominique Cerejo & versatile Vishal Dadlani with conversational lyrics is lively listen all the way. It reminds me of title track from movie, “Neal & Nikki”, & its not coincidence that both star Uday Chopra. Remix version can simply be avoided.

§ 10 on 10 – Rock On had set a trend in hindi cinema music and this song continues it. Viva girls Mahua and Anushka impart just the right amount of energy to a song of this genre. Though it’s a fast song but not a dance number at first,but the beat grows on you, after hearing it a couple of times. Naresh Kamat is the sole male voice in this song.

§ Ek thi Ladki - This is the song to be played with opening credits having a story to tell. Rishika Swant sings it with a child like glee just as in nursery rhymes but yet good attempt by a newcomer. Song starts with children chorus making you to snap your fingers but soon kidding around seems overdone and it turns monotonous.

Soundtrack is well suited to theme of movie but they have sticked to theme so much that every track seems to be title track. Female singers rock and have stolen the credits to album. But one thing we will have to agree, ‘old is gold’ & no song is ever lasting type, none of them.

Written by- Neha Jain

Top 10 Recommended Hindi Songs| Music

Gosh !! what a tough job !! The other day when I thought of writing this article, I fished through my 8 GB songs folder on my laptop. Selecting 10 songs from 1750 files wasn’t a cake walk. But ‘Best is Best’ and here I recommend you some songs which you might have missed or have forgotten but they deserve a place in your favorite playlist.

The songs are in random order and not by ranking.
1.Dil mera ek taara – 16 December
Few people know of the song but not to be missed. Romance with classical music and heart touching lyrics are what it offers you.

2.Ishq hota nahi – Joggers Park
Adnan Sami at his best but this song is ‘bana hai kisi kisi ke liye’. Had a heartbreak , you will fall in love with it & if hadn’t you will dare not to fall in love.

3.Tu jo nahi – Woh Lamhe
Don’t say you have never been in love and thus would have definitely missed them sometime. Listen to the song, you will be compelled to ring them.

4.Seedhay Saadey – Socha Naa Thaa
A perfect proposal song. If you said “no” to above question then try this song, you would get your love.

5.I’m in love – Neal ‘n’ Nikki
I agree movie was a disaster but the song is not, its equally melodious. Try it out.

6.It’s a beautiful day – Aryan
Since love is in the air, try this one too. The English lyrics and the music, you will flow with it.

7.Hoshwalon ko - Sarfarosh
Nothing more required to say when Jagjit ji’s name is associated with a song. Listen to it and enjoy falling in love.

8.Feeling blue – Pyaar ke side effects
Though a sad song but music maintains a light mood making it an any time listen. Lyrics are just wonderful conveying the mood well.

9.Tosey naina lagey – Anwar
Another song telling hardships of love but compelling you to fall in love. Enjoy the classical music blended with wonderful singing.

10.O re piya – Aaja Nach le
Rahat Fateh Ali Khan sahab’s awesome work, cant be afforded to miss.

Try these and do let me know how many worked for you.

Happy Musical Time

Written by - Neha Jain

3 Idiots | Music Review

Aamir Khan is a brand name in himself and Vidhu Vinod Chopra involved you expect a lot from
3 Idiots. But sorry Shaan,Sonu,Shreya Ghoshal have nothing much in store for you this time,
instead lyricist Swanand has done his role well.

'All Iz Well', a tackky track with the theme of 'care-a-damn' attitude misses the heights set by 'Paathshaala' from RDB. The lyrics alone have something to offer to desi crowd allowing it to get a stand between famous campus tracks.

'Zoobi Doobi', the only song in album with a female voice and Shreya is proving to be the most versatile playback singer of our time. A hummable jazzy song with well woven lyrics giving it a 50's touch but song lacks longevity.

'Behti Hawaa' is the best among album in voice of my favourite Shan having a Bengali touch adding to its sweetness. The lyrics narrate the charachter sketch of Amir, so check it out but song seems just an instrumental at times.

'Give me some sunshine' has a slow beginning with Sharman Joshi narrating a line but sudden change to peppy music is surprising. Soon after Suraj Jagan starts singing this track with song going to a high point every time the line 'Give Me Some Sunshine' comes on the forefront. The song is in a softer mood but music is peppy and they seem to be poles apart. An experimental track but I wont give it credit.

The finale is interesting with Sonu Nigam coming up with 'Jaane nahi dunga'. He changes the pitch of his voice extraordinarily well but high notes seem to be forced.The lyrics are set in a mood where the friends are rooting for each other but surprisingly, Sonu Nigam’s vocals are somewhat annoying at some places.

My verdict- Singers have tried their best, but the only person worthy of credit is lyrcist Swanand.

Rating - 2.5 / 5

Written by Neha Jain

Tum Mile | Music Review

Producer- Vishesh Films
Director- Kunal Deshmukh
Music- Pritam Chakraborty
Lyrics- Sayeed Qadri, Kumar
Label- Sony Music
Rating- 4.5/5 stars

One reason i always wait for a mahesh bhatt movie is for their track. Since years they have been delivering us musical blockbusters & 'Tum Mile' is no exception.The deadly "Pritam - Emraan Hasmi" combo is back with the most romantic tunes of this year.The album consists of 8 tracks & one instrumental.Lets discover the melodies.

 The album begins with the tiltle track "tum mile". It's a typical peppy n bouncy Neeraj Shridhar number.The title track has two more versions by Javed Ali(Love reprise) & Shafaqat Amanat Ali(Rock version),which are infact better than the opening version.Although the three tracks are the same, but the way they are presented,so differently,is outstanding, & hats-off to Pritam ji for such an effort.The version by Javed Ali is very soothing .The 'ticking-clock' music is lovely(comes somewhere in the mid of the stanzas).The track has some shades of "Life... in a metro",but you still can't criticize the song.The rock version starts in a very gripping way & doesn't leave you till the end.

Then comes the second track of the album - "Dil Ibadat" - & here you realize that this album gets even better. KK 's charming voice just takes over you.The song catches its real pace with the stanzas with full cooperation by the poetic lyrics by Saeed Qadri,which are more than just romantic.It also has a rock version, but i like the first one more mainly because of the beautiful music it has. However, i love the guitar lead in the rock version (at 3:39sec),which completely energizes the track.

Next we have "Tu Hi Haqeeqat",which starts off with rock but then grabs the sufi tune. Javed Ali's soft voice does complete justice to the song.Lyrics are awesome & so is the music.This love ballad is surely gonna win your heart.

Since 'Jab we met' we have been listening Mohit Chauhan singing Pritam ji's tunes.With "Is Jahan Mein" this duo delivers yet another melody.The track is young,fresh & joyful & suddenly changes the mood of the album.The tracks is not the best in the album coz you get a "heard-somewhere" kind of feel this time.

Then we have "O meri jaan",which certainly reminds you of 'life...in a metro',but Pritam ji's music is fabulous,especially his use of piano.But the USP of this track is KK's magical voice.The song starts slowly but keeps on gaining pace as it progresses,until it reaches an engrossing pace in the stanza.

The last track of the album -"soul of tum mile" - is an instrumental. It is a good musical which basically gives you enough idea about the theme of the movie, & a vry suitavle end to the album.

There are certain facts that make this album very special. FIRSTLY,it is an all n all melodious album.You dont need to skip any track in this album. SECONDLY,i think this is the first album in bollywood which is both romantic & melodious, & to my surprise it doesnt contain any female singer! Infact this is the first thing that came to my mind when i saw the cover. THIRDLY, its the best album of this year so far focusing the fact that all the tracks are of the same mood, so you dont need to do much 'reverse -forward' exercise.

If you liked 'life... in a metro", you will love this one...go get your copy now!

Written by Rishabh Shukla

AJAB PREM KI GAZAB KAHANI | Music Review

Produced by- Ramesh S. Taurani
Directed by- Raj Kumar Santoshi
Music by- Pritam Chakraborty
Lyrics by- Irshad Kamil
Label- Tips
Rating -3.5/5 stars

One of the most awaited movies of this year Ajab Prem Ki Gazab Kahani" brings the hot pair of Ranbir-Katrina on screen.After a long time Raj Kumar Santoshi is back with a comedy. The promos are on & the movie is looking quite funny.The music is by Pritam ji & he has done a good job yet again.The album consists of 14 tracks - 7 originals, 5 remixes, 1 reprise & 1 unplugged version...so definitely a lot of stuff !....

 1> The album begins with "main tera dhadkan teri", which is no doubt a typical Pritam ji's masala track which is very high on energy.The vocals are given by KK,Sunidhi Chauhan & Hardkaur, so you can yourself imagine the energy level. Overall a good stuff,which must occupy the DJ nights.


2>Then we have "Tu jane na" which is the best track of the album, infact an evergreen song. It has three versions, 1st by Atif Aslam,2nd by Soham, Rana Mazumdar & Ashish Pandit (reprise version),& the third by Kailsh Kher, Paresh & Naresh (unplugged version). The track begins like a qawalli but thats just a part of the song.Its a very beautiful melody & that comes out very beautifully in all the versions.This is one track you will want to listen again n again.However, the unplugged version sounded a bit similar to the "soniyo(unplugged version)" of 'Raaz-the mystery continues.My favourite is the reprise version.

3>The 3rd track is "Oh by god" which is a complete fun track, & the voices of Mika & Sunidhi Chauhan do the job excellently.The music peices of 'Shahnai" used in the song are very funny & i am pretty sure that you are going to really enjoy this track.

4>With this one Pritam ji again proves his calibre with the melody."Tera hone laga hun" is the second best song of the album.It begins with english vocals by Neeraj Shridhar & is followed by the romantic voices of Atif & Alisha Chinoy to do with the hindi part.The song is mushy & soothig love ballad that has already gained a lot of popularity.

5>"Prem ki naiyya" is another decent effort by Neeraj Shridhar & Suzanne D'Mello. For a change the english part is not by Neeraj but by Suzzane this time & he is doing a typical hindi stuff by singing the track in complete UP accent.The experiment does a good trick for the listener as the output is a good fun track.

6>"Aa jao meri tamanna" is a typical Pritam stuff.The track is beautiful but it carries that 'heard-somewhere' feel which somehow blocks my liking for the song.Javed Ali does a fabulous job here.Overall a decent track.

7>Finally we have "Follow me" by Hardkaur, & you get that as soon as the track begins.Its a usual Hardkaur product.Parts of this song are used in the 1st song.The good thing about this track is its length which is not at all unneccessary.A fine track but not something that i would listen for long but yes it goes quite well with the movie.

Then its followed by 5 remixes which are nothing but the paced versions of the originals.They really dont click me infact i would prefer if they could be avoided. Overall, the album is another hit by Pritam ji for this year. No matter how much he is blamed for lifting up the tunes but he has always delivered us a 'hit' stuff (forget dil bole hadippa!) .The album is non-monotonous & carries a fun & joyous feel with it, which is felt throughout the album .

 Final verdict- Go grab this one.Its one of the better albums of this year. Written by- Rishabh Shukla

Couple's Retreat | Music Review

How often do you get to hear Tamil song playing in a Hollywood soundtrack? Don’t believe me;?just get hold of album “Couples Retreat”, the track

Here's what i thought of tracks of the album:
“Kuru kuru” would be a treat for you this Diwali, brought to you by A R Rahman in his Hollywood debut. It’s a really addictive track with the Tamil lyrics tuned in complete Hollywood style.

The next track “Undress” is the prettiest ‘jugalbandhi’ work that any music lover would’ve heard. Mrindangam & Veena take a start blending into sync-base.

“Salvadore” is superb fusion of Hindustani tarana with Latin instrumentation. You may find similarity to some of Rahman’s previous hindi scores.

Next surprise comes your way in form of “Sajna re”. No dear, it has English lyrics, with Rahman’s idea of adding a Hindi word to it. The lyrics are mesmerizingly touching with crystal-chimes accompanying them. You can find it’s instrumental in same album as “Tour of Villas”.

A hip hop number “Nana” with lot of tribal words is enjoyable and you can’t resist tapping along with tune. I read somewhere that Rahman’s son Alim has also given voice in this song.

“Jason and Cynthia Suite” on the other hand begins on a more solemn note but changes to a more folksy segment in the end. One can see Rahman employing his entire orchestral splendor.

“Meeting Marcel” and “Sharks” are two instrumental tracks with almost same notes, I guess people with taste of classics will only love them.

“Animal Spirits” is a blend of theme and ‘villas’, you may skip it. “Itinerary” is just a background track, I feel, it shouldn’t have been included in the CD. But, the maestro roars again with “Intervention”, marked by its orchestral opulence and Rahman’s soulful humming. John O’Brien’s sole score for the movie, “Luau” is a Hawaiian song, which can be given a chance.

The album has more instrumentals than songs, hence not made for masses, but yet one can’t afford to miss Sajna, Kuru and Salvadore.

Written by Neha Jain.

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Blue | Music Review

Produced by- Dhilin Mehta Directed by- Anthony D'Souza Music by- A.R.Rehman Lyrics by- Abbas Tyrewala,Mayur Puri,Rajat Arora & Sukhwinder Singh.
Label- T-Series
Rating- 3.5/5 stars

The maestro is back!!...yes..A.R.Rehman is back with his second album of the year(after Delhi 6)..n he yet again delivers a list of chartbusters. Blue is supposedly one of the most awaited movies of the year & its tracks have already gained all the appreciation they deserve.The music contains Rehman ji's signature style.Lets have a look...

1> The album begins with "chiggy-wiggy",which is a fabulous number,but the only fact that makes it fabulous is that Kylie Minogue makes her debut in bollywood with this. The track is simple and 'conventional-bollywood-type'. However, the first part is still better than the later half, by Sonu Nigam . Rehman ji could have given us better.

2> "Aaj dil Gustakh" is the next track in the album with a light,romantic & breezy feel in it.Sukhwinder Singh and Shreya Ghosal do a decent job.The track has excellent guitar strummings & vocals in between however somewhere in them we get a hint of tracks of Rehman's DAUD(remember "o bhanwre").

3> This one is my favourite in the movie. "Fiqrana" is a track with 'high energy' embedded in it.Ressul Pulekutty at his best again in this one, alongwith Vijay Prakash, who sings this one with its full vigour.He is backed by Shreya Ghosal.

4>With "Bhoola tujhe" Rehman ji reminds me of those beautiful slow numbers he has given us in all these years.The track is awesome with loads of gravity in it. I have always liked Rashid Ali since i heard him in Jane tu ya na jane, & he delivers an excellent stuff,again.

5> Next comes the "Blue Theme" which is fast paced number with alternate western & indian music in it.It reminds me a bit of RDB rap...but in this one you dont get the lyrics! It includes six singers so you can yourself realize the enormity of the track.One of the best in the album .

6>It is followed by "Rehnuma" which is a typical rehman number.It has got a james bond kinda music in between,with an influence of jazz, which i really like.Sonu Nigam gives life to the track, however i wish that in place of Shreya Ghosal it was Alisha Chinoy, coz her voice would have given this track a new dimension.

7>The album ends with "Yar Mila Tha",which a complete dissapointment.Its sung by Udit ji & Madhushree ji,but even they couldn't save this track.You can easily skip this one.

Although 'Blue' cannot be considered as one of Rehman ji's best album but still the songs are cool & catchy, & they very appropriately fit into the movie's theme.This is infact his speciality,composing for the most difficult movies in bollywood(read as lagaan,jhoda-akbar,etc-etc).

Conclusion-Dont miss this one, coz not all, but it has still got a few good numbers which you seriously can't afford to miss!!

 Written by- Rishabh Shukla.

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What's Your Raashee? | Music Review

Producer-Ronnie Screwvala and Sunita A. Gowarikar

Director-Ashutosh Gowarikar

Music composer-Sohail sen

Lyrics-Javed Akhtar

Label-Sony Music

Rating-3.5/5

Singers-Sohail Sen, Tarannum Malik, Shaan, Bhavya Pandit, Marianne D'cruz, Ashutosh Gowarikar, Pamela Jain, Udit Narayan, Madhushree, Aslesha Gowarikar, Harman Baweja, Alka Yagnik, Bela Shende, and Rajab Ali Bharti.

Surprisingly, for his latest flick, Ashutosh has dropped Rehman(or may be vice-versa ;] ) and instead chosen a budding composer- Sohail Sen(son of Sameer Sen. Let’s check it out the album--

The album has 12 tracks corresponding to each "raashee" and a concluding song, a mix of all. In total 13 songs!


1> The opening track of the album is 'Pal-2 jisko '. The song has a western classical touch with jazz as its base. Javed ji does a brilliant job. Sohail Sen introduces himself as a singer...an average track....

2> This is my favorite track in this album!-'Jao na'- Sohail Sen impresses a hell lot! Both as a singer and as the composer!! With guitar as its base, the song catches up with you the first time you listen it. An "anytime listen" song infact!

3> 'Aja lehrate' is a peppy dance number… well sung by Shaan & Bhavya Pandit (indian idol-4 fame). You may find sum disturbing vocals in between, but they are quite experimental & highlight the composer's confidence...overall an average track...

4> 'Bikhri bikhri' is a melodious slow number with music doing the magic in it. Sung beautifully by Sohail, this song is one of the strongest song of this album...

5> The next track - 'Manunga manunga'- is sung by the director himself! Yes, its Ashutosh Gowarikar this time! But its not just his singing that makes this song unbearable and blunt! The lyrics also play a major role! Rehman had managed him better in swades (remember pal-pal hai bhari?).Try to avoid this one!...

6>'Sau Janam' is a typical bollywood 'haunting melody'...Madhushree's voice is beautiful...has a good pace...

7> 'Aa le chal' is sung by Aslesha Gowarikar...she definitely has a strange, and strong voice! The song also has dialogues in between, from Harman Baweja. A different track though, but just an average...

8> 'Pyari-2' is another beautiful track carrying Alka ji's and Sohail's voices...& Yes! Sohail is yet again impressive! The sudden changes in the rhythm do the trick! Worth listening...

9> 'Suchhe' is a sweet fun track,sung beautifully by Bela Shende. The song did not click me in the beginning, but when I heard it a few times, I started liking it...Sohail strikes again!! A fine track...

10> 'Salone kya' is just an average track, with a hint of arabic music...can be easily skipped…

11> 'Dhadkan-2' is another strong ballad, well supported by its music. Tarannum Malik sounds good. It's one of the better songs of the album. Should I mention it? Yes! Its Sohail again! And trust me, this guy is a talent hub! The track is just ok...

12> Now whose Rajab Ali Bharti?? don’t know? ...you better know now, coz his voice does a great job in -'Koi jane na'- another beautiful song, with a classical touch... it also has a biased view of mine! coz I am a capri myself!! ;)

13> What’s a better ending than this! Awesome!! Sohail Sen's voice does the magic again with-'Chehre jo dekhe hain'-which has a pinch of rest of the tracks of the album. The song is damn fresh and so are the lyrics. The best song in the album infact! (only after jao na! :] )


The tracks don’t strike at first, but when you listen them a few times, you start enjoy them. With such a mammoth collection (13 songs!!), it turns out to be one of the better albums of 2009. Ashutosh definitely does no mistake in selecting Sohail Sen as the composer, who is not just an excellent composer but a fine singer too! Definitely a promising stuff! The music is melodious and fresh. No remixes in this one. Overall...quite worth a take. You will definitely find your share of music! :)


Written by: Rishabh Shukla

Music Review: Wake Up Sid

Music Directors: Shankar-Ehsaan-Loy
Lyricist: Javed Akhtar
Singers: Shankar Mahadevan, Kavita Seth, Amitabh Bhattacharya,Clinton Cerejo and Uday Benegal
Rating: 3.5 out of 5
Shankar-Ehsan-Loy, the trio have once again produced melodious and hit soundtracks living every bit to the expectations of their fans.
The trio known for their melodious and super hit soundtracks in films like "DCH","Kal Ho Na Ho" and "Taare Zameen Par", have done it again for Karan Johar's film "Wake up Sid", starring Ranbir Kapoor and Konkana Sen Sharma. There are six songs, five original soundtracks and one is a remix.
The title track "Wake Up Sid" sung by Shankar Mahadevan is a sweet and entertaining song with strong musical backing. The song certainly has a idiosyncratic SEL zing to it.
It also has a "Club Mix" version which does not have any drastic changes in flow or the rhythm. This version is little more upbeat than the original one. The song,"Aaj kal zindagi" is a soft, soothing and inspirational song crooned by Shankar Mahadevan himself. The song reminds of "Kaisi hai Ye Rut" ),begins slowly and picks up momentum gradually. The song belongs to the genre which will definitely be liked by peple who like their music to be soft.
"Kya Karoon" is an average feel good kind of song voiced by Clinton Cerejo. Cerejo's unconventional voice goes along well with the song.
"Iktara" is by far the best one among the lot. Fantastic song sung by Kavitha Seth and Amitabh Bhattacharya, with good lyrics and superb and soulful composition by Amit Trivedi (yeah right, the Dev-D one).You are bound to love this song.
Finally there is "Life is crazy", another foot-tapping number crooned by Shankar Mahadevan and Uday Benegal.
Verdict: One of the better sound-tracks for this year.Watch out for "Iktara".
For The Reel; Written By: Vinayak Pandey (Vins)

Music Review: Jogger’ Park

How truly said, "Ishq hota nahi sabhi ke liye", for all those who have had a heartbreak and also who haven't.

Yes… that was from Jogger’s Park.

The splashes of waves with which the song starts and just then Adnan Sami stretches few notes, you can feel something moving within you. The familiar variations in his voice add to deep feelings evoked by lyricist. A tear rolls down my eyes whenever sitting by the window, I listen to these lines "jab andhera badhta hai, jalta hai dil roshni ke liye".

Next in line is our dear Usha Utthap, in quite a new style singing "Kabhi paal Liya", written by Subhash Ghai himself. Song is well sung and composed, no doubt, but the listener all through waits for it to gain speed and at the end you are disappointed. But then the Ghazal king Jagjit Singh Saab, my favorite enters and takes you to the world of romance!! Smooth flowing ghazal 'Badi Naazuk Hai' catches your attention immediately and you get a reason to smile for your choice of ‘Joggers Park'. But yes I agree it’s not one of his bests.

The album also has a Hinglish number as its title track, "Joggers Park" in voice of Usha Utthap again. Its a peppy delightful song after few heavy ones. Lyrics by Neisha & Subhash Ghai help you to picturise the Joggers Park and life relationships and moments at this hangout 'Park'. The rhythm is such that you are bound to sing along. Another filmy song in this 'hatke' album is "Habba Habba Hui" in voice of Asha ji. The lyrics by Sameer have Arabian touch but it fails to draw you to dance floor.

The album ends with an instrumental as the theme song. Seems director had planned to keep alternating between melodious and tasteless tracks. The album overall is a good collection to maintain with few songs to add to your favorite playlist.

For The Reel; Written By: Neha Jain

Music Review- RULES Pyaar Ka Superhit Formula

RULES - more the word sounds confined, more the album has no limits to its versatility. The tag line "Pyaar ka superhit formula" is its perfect explanation.

The colleges are reopening, and new love bonds are springing up, so I thought of suggesting you a perfect gift for your loved one. You may have several rocking hits this season but let me assure you, this is an album one would fall in love each time. If you do not trust me, just listen to the first song,

"Uljhanon ko de diya", and track itself would take away all the unnecessary fears from your mind. Its a well written romantic track in the voice of Sanjeevani, a perfect proposal song.

"Pyaar ke naam pe" is another rhtymic, jazzy number by the famous Bombay Vikings, whose spell makes you to tap along with the beats.

Prof. B.N. Dubey has written classical lyrics, "Gori tore nain", which have been used for a fashion show, stark difference,but yet well suited. Sonu Nigam has given his voice to his song, but as his other songs, his voice is voice is very familiar,and the track ends to be just an average.

The album also has an instrumental, "Radhas Theme", which is a free flowing track. I put it into this genre, because, it gives an open space to your thoughts to flow, as the music continues in background.

The album concludes with a beautiful romantic track ‘Chodo Na Mujhe’. With new lyricist there is always an apprehension about the quality of the music, but Subrat Sinha has not let his directors down and has come out with a nice love poem. Kunal Ganjanwala gives life to these lines sounding like a man who is passionately in love, doing justice to song, situation and listener.

This is an album which has range of classical, jazzy, soft and instrumental but they all have one thing in common, all are perfectly romantic and melodious. So what are you waiting for guys, just run to your nearest music store, and fish for this album among their old stock or just simply download these songs from a website, burn a CD and present to your beloved, surprising them with this unique collection.

PS -guys beware dont go for video album of this song, else our hunk Milind Soman would be eye candy for your beloved [;)]

For The Reel; Written by Neha Jain